Since the early 2000s, Israeli television drama has become a highly
sought-after product in the global TV market. Israel is indeed an intense and
dynamic place that offers drama creators a wealth of diverse and compelling
stories. In 1971, three years after the establishment of Israeli television,
the first drama series in Hebrew Hedva and Shlomik aired—still in black
and white—based on the literary novel by Aharon Megged
(1953).
The evolution of television drama in Israeli television from its
inception has not been thoroughly documented until now. This book aims to fill
that gap and provide readers with tools for watching, interpreting, and
understanding television series in general, and Israeli ones in particular.
The story of Israeli television drama in this book is set within
broad socio-political and cultural contexts. Drama consistently engages with
reality and responds to it in various ways, even if not always overtly. It also
addresses the foundational myths of Israeli identity—sometimes reinforcing
them, other times questioning or subverting them. Like other popular cultures,
it often fulfills desires or offers imagined solutions to the contradictions
underlying these myths.
Through the prism of Israeli television drama, this book reveals a self-portrait of the people and society—both as they were and as they might've like to be seen.