The book presents a broad and varied picture of Islam. It covers a wide range of topics, including faith and jurisprudence, theology and philosophy, mysticism, culture and society, from the dawn of Islam in the seventh century to contemporary times. Geographically, the book encompasses such regions as the Middle East, North Africa, the Indian subcontinent, East Asia and Europe/West . The book traces lines of continuity and change in Islam throughout the ages on such complex and sensitive issues as religion and state, the concept of jihad, Islamic attitudes to religious minorities or to Western Christian culture. These issues became hotly debated in the modern era, especially from the late 18th century, when Muslim societies were forced to contend with European colonialism, political upheavals, social and economic schisms, and identity crises . There is a clear need for a comprehensive and up-to-date introduction book in Hebrew for students and readers alike so that the appearance of the book is timely. Apart from containing new materials, the book also contains many insights, and in some cases reexamines and revisits prevailing scholarly approaches.

The Stage as a Temporary Home : On Dzigan and Shumacher's Theater (1927-1980) has been designated as the winner of the prestigious Shapiro Award for 2019 for the best book in Israel Studies The Stage as a Temporary Home takes us through the fascinating stages in the life and career of the duo Shimen Dzigan and Isroel Shumacher , over the course of half a century - from the beginning of their work at the Ararat avant-garde Yiddish theater in Łodz, Poland, and to their Warsaw theater, where they produced bold, groundbreaking political satire. The book further discusses their wanderings through the Soviet Union during the Second World War and their attempt to revive Jewish culture in Poland after the Holocaust, and finally describes their arrival in Israel, first as guest performers and later as permanent residents. Despite the restrictions on Yiddish actors in Israel, the duo insisted on performing in their own language and succeeded in translating the new Israeli reality into unique and timely satire. In the 1950s, they voiced a political and cultural critique of a kind that was not heard on any of the Hebrew stages. After they parted ways, and following the death of Shumacher in 1961, Dzigan continued to perform on his own and with other Israeli artists until his death in 1980 . The book is based on rare recordings, transcriptions, programs, personal diaries, letters, photographs, oral testimonies, and critical articles, all of which come together to create the first critical portrait of this extraordinary duo. The book also examines their art, the connection between theater and politics, and the complex relationship between majority culture and minority language . The study includes several valuable indexes: of titles of programs and plays, of the artists who participated in them, of writers and the drafts they wrote, of actors and the programs in which they participated, and a general name index. The book also includes a facsimile of the manuscript Der Nayer Dybbuk [The New Dybbuk]. Click here for the English edition, published by De Gruyter in collaboration with Magnes Press

Un véritable courant de vie parcourt ces pages que Perspectives consacre au cinéaste Marcel Ophuls. La vie, le vivant dominent. Il n’est pas étonnant qu’une des contributions de ce numéro s’intitule “Liberté, vitalité, spectacle” (Sophie Brunet). Dès lors, la division du volume s’est faite d’elle-même: 1-Un homme vivant; 2-Une oeuvre vivante. Au départ, le portrait d’un homme se dessine. Dans une “interview imaginaire.” On savoure son franc-parler, non que l’on adhère à toutes ses idées – en particulier en ce qui concerne Israël – mais on admire l’aisance et la liberté totale qui anime ses propos. Le comportement professionnel du cinéaste, son comportement tout court, trouvent leur place dans cette première partie. Parfois même, l’homme est saisi dans le feu de l’action. Les grands problèmes qui occupent le coeur et la pensée d’un homme de notre temps se retrouvent dans la seconde partie du volume. Là encore, au plus près de la vie . Le cinéaste interpelle les spectateurs lorsqu’il traite de la Shoah, de l’Occuption, ou de la Résistance, de la place que ces sujets tiennent dans la mémoire d’un Français ou d’un Allemand. On s’interroge avec le cinéaste : se doit-il d’être objectif? Mais “dès le début de sa carrière, remarque Pierre Beylot, un style documentaire original fondé sur la parole de témoignage et le montage des sources dont il assume de plus en plus ostensiblement le caractère subjectif” marque son oeuvre. C’est dire aussi que souvent le regard s’attarde sur le traitement esthétique des sujets abordés. Ecoutons François Niney:“Cette remise en question de nos manières de voir et de nos dilemmes, à la fois politiques et personnels, par le jeu et le poids des mots, différencie radicalement le documentaire selon Marcel, du panel d’opinions tel que l’expose en permanence l’étal médiatique”. L’important est que son public réfléchisse. Il s’agit, selon Valérie Carré, de “mettre en mouvement la réflexion du spectateur”. Qu’attendre de l’avenir? Encore une oeuvre surprenante? Vincent Lowy, à l’écoute, note: “Boulimique de projets virtuels, l’infatigable MO junior annonce déjà les quatre titres d’ […] improbables best-sellers…” [futurs romans policiers }. Il convient enfin de souligner le rôle déterminant qu’a joué Stéphane Kerber dans l’élaboration de ce numéro de Perspectives. Nos vifs remerciements vont à lui. Laissons-lui maintenant la parole.

One of the world's most celebrated scholars, Stephen Greenblatt has crafted both an innovative work of history and a thrilling story of discovery, in which one manuscript, plucked from a thousand years of neglect, changed the course of human thought and made possible the world as we know it. Nearly six hundred years ago, a short, genial, cannily alert man in his late thirties took a very old manuscript off a library shelf, saw with excitement what he had discovered, and ordered that it be copied. That book was the last surviving manuscript of an ancient Roman philosophical epic, On the Nature of Things , by Lucretius—a beautiful poem of the most dangerous ideas: that the universe functioned without the aid of gods, that religious fear was damaging to human life, and that matter was made up of very small particles in eternal motion, colliding and swerving in new directions. The copying and translation of this ancient book-the greatest discovery of the greatest book-hunter of his age-fueled the Renaissance, inspiring artists such as Botticelli and thinkers such as Giordano Bruno; shaped the thought of Galileo and Freud, Darwin and Einstein; and had a revolutionary influence on writers such as Montaigne and Shakespeare and even Thomas Jefferson.

Baruch Kimmerling (1939-2007) was one of Israel's outstanding critical sociologists. In this volume, Israeli and Palestinian scholars of several disciplines and generations offer a series of studies on Israel and Palestine, past and present, in dialogue with the research agenda Kimmerling has advanced. Essays discuss Zionism and militarism, frontier and colonization, social protest and the limits of democracy, the sociology of fear and the politics of home -- and Kimmerling's own trajectory.

This study of the Parable of the Three Rings is the first full account in Hebrew of the history and the literary and allegorical origins of the parable, as well as of its reception from the early Middle Ages to the Early Modern period. The study provides evidence for the non-Western origins of the parable, which are known mostly through its Western European renderings in Lessing's Nathan the Wise and Boccaccio's Decameron . In some of its versions, the parable contains the idea of religious relativism. This idea was often accommodated in its particular cultural and religious surroundings, but at other times negated and altered to suit the preferences of the other narrators and audiences. Whether the original, relativist, possibly tolerant, message were upheld or not – makes the history of the parable more intriguing to modern readers. The study of the parable tracks the religious idea -- presented in various allegorical forms -- back to its Muslim origins. It also reveals the Eastern origins of the parable's literary framework. The discussion follows the evolution of the parable and its entrance into Catholic Europe, analyzing it contextually and with reference to prevalent contemporary religious ideas among Muslims, Jews, and Christians between the eighth and the sixteenth centuries . A Hebrew translation of Avishai Margalit's “The Ring: On Religious Pluralism” provides a logical-philosophical perspective on the idea of religious pluralism .

The self is one of the most important concepts in Western culture and in philosophical, sociological, and psychoanalytical literature. This title sheds light on the elusive nature of the concept, addressing it from an interdisciplinary perspective that examines the contribution of various social structures to the human self.

Walter (1887-1966) and his son Moshe (1922-2017) Wolf, both born in Hamburg, had very unusual life stories. Their autobiographies coalesce and intertwine in this powerful book - the father recounts his Jewish-bourgeoisie childhood in Germany, his military service with the German forces during World War I, his work as a banker and the building of his family; he tells of his escape from Nazi Germany and his new life in the United States. Meanwhile, his son pursues his point of view, continuing the family story from the moment he arrived in Israel, describing his own choices - working the land and joining the British Army in the war against Germany. This outstanding tale enriches even further the fascinating, multi-faceted image of German Jewry, offering a path, now more relevant than ever, into contemporary Israeli society.

The Carved Wooden Torah Arks found in eastern Europe from the seventeenth to nineteenth centuries were magnificent structures, unparalleled in their beauty and mystical significance. The work of Jewish artisans, they dominated the synagogues of numerous towns both large and small throughout the former Polish-Lithuanian Commonwealth, inspiring worshipers with their monumental scale and intricate motifs. Virtually none of these superb pieces survived the devastation of the two world wars. Bracha Yaniv’s pioneering work therefore breathes new life into a lost genre, making it accessible to scholars and students of Jewish art, Jewish heritage, and religious art more generally. Making use of hundreds of pre-war photographs housed in local archives, she develops a vivid portrait of the history and artistic development of these arks, the scope and depth of her meticulous research successfully compensating for the absence of physical remains. In this way she has succeeded in producing a richly illustrated and comprehensive overview of a classic Jewish religious art form. Professor Yaniv’s analysis of the historical context in which these arks emerged includes a broad survey of the traditions that characterized the local workshops of Lithuania, Belarus, and Ukraine. She also provides a detailed analysis of the motifs carved into the Torah arks and explains their mystical significance, among them representations of Temple imagery and messianic themes—and even daring visual metaphors for God. Fourteen arks are discussed in particular detail, with full supporting documentation; appendices relating to the inscriptions on the arks and to the artisans’ names will further facilitate future research. This seminal work throws new light on long-forgotten traditions of Jewish craftsmanship and religious understanding.

Chaim Waxman, the pre-eminent sociologist of contemporary Orthodoxy, is one of the keenest observers of American Jewish society. Having written on various aspects of this subject over the past forty years, he now revisits his earlier work in the light of recent developments. His familiarity with the entire spectrum of the Orthodox world combined with his deep knowledge of halakhah and his rigorous command of statistical and demographic data enables him to articulate distinctive perspectives on the issues that he addresses. His focus is not only on the various directions in which Orthodox practice is moving but also on how this affects the community as a whole. Waxman’s range is wide. After reviewing the socio-economic changes in American Orthodox communities and examining the reasons for them, he goes on to consider the political patterns of contemporary American Orthodox Jews. Demographic changes are also explored, particularly those relating to family life. Moving to the communal level, he discusses the increasing Americanization of Orthodox Jews, taking special note of how developments in Orthodoxy in Israel are having an increasing impact on American norms as contact between the two communities grows. In illustration of how Orthodoxy is adapting to modernity, he then presents a detailed discussion of halakhic developments, particularly regarding women’s greater participation in ritual practices and other areas of communal life. He shows that the direction of change is not uniform: there is both greater stringency and greater leniency, and he discusses the many reason for this both in the Jewish community and in the wider society. Relations between the various sectors of American Orthodoxy over the past several decades are also considered. The result is a comprehensive analysis from an acknowledged expert that will be of interest to everyone concerned with developments within American Orthodoxy and with the sociology of religion more generally.

The ‘Jewish mother’ figure is a hallmark of Jewish culture, one which appears in the works of rabbis, artists, poets, and activists across time and place. While depictions of mothers and motherhood abound in Jewish writings, they vary significantly according to social context. These representations therefore offer important insights into the Jewish cultural imagination, and the ways in which writers resort to the figure of the Jewish mother to comprehend and construct their world. The contributors to this volume highlight the complex network of symbols and images associated with Jewish mothers and motherhood as well as the vast array of social, historical, and cultural patterns that characterizations of mothers reflect. Each essay treats the topic from a specific perspective, spanning from mother--daughter relationships in the Talmud to depictions of mothers in twentieth-century American Jewish children’s literature. Collectively, they present a provocative examination of the ways mothers shape and problematize Jewish identity. This volume seeks to give the figure of the mother a new and enhanced place at the heart of Judaism: not only as a central figure in family life, but also as a key agent in the transmission of Jewish religion and culture.

AMILAT se honra en presentar el séptimo volumen de su serie Judaica Latinoamericana , que incluye una amplia selección de los trabajos presentados en la Sección América Latina del XV Congreso Mundial de Estudios Judaicos (Jerusalén 2009), por investigadores establecidos en las Américas e Israel, especializados en diversas disciplinas de las humanidades y las ciencias sociales. El volumen enfoca una variedad de temas pertenecientes a las experiencias históricas, sociales y culturales del judaísmo en América Latina, tanto respecto de lo que poseen en común como en cuanto a sus diferencias debidas a los diversos contextos nacionales. A ello se suman renovadoras propuestas metodológicas, necesarias en vista de fenómenos socio-culturales recientes originados en la globalización y el transnacionalismo, que se proyectan hacia el futuro de las investigaciones en el área.