Journeys of the Soul: Concepts and Imageries of Paradise in Medieval Kabbalah covers the most decisive period in the history of Jewish speculation about the Garden of Eden. At the heart of the book is a thorough analysis of the compositions written by medieval kabbalists and other esotericists dedicated to that ultimate locus of retribution. Alongside their concrete and abstract portraits of the Garden, these works discuss its relationship to the Godhead and the role it plays in personal eschatology, anthropology, and psychology. The book examines trends within the interpretive history of the biblical Paradise in medieval Jewish thought more generally, and in medieval kabbalistic literature in particular. The notion of gradations or distinct sites within the Garden of Eden is explored in light of its possible influences, and the appearance of the Garden of Eden within kabbalistic psychology is considered in light of thirteenth-century theosophical doctrines. A lengthy treatment is devoted to those works which delineate the architectonic structure of the supernal Garden and depict the visual appearance of the earthly temples (hekhalot) of the lower Garden, while mapping them onto the structurally complex interrelationships within the Godhead. Within this context, the book treats a number of textual conundrums concerning the very development of the kabbalistic canon, including the appearance of the Zohar. Throughout the book, the author also investigates scientific paradigms, legendary traditions, and theological polemics in the religious literature of the period concerning the appearance and structure of the Garden of Eden. Similar exegeses, shared traditions, and a common conceptual foundation of the eschatological Paradise are identified in the kabbalistic literature, alongside echos of the Jewish apocrypha, Rabbinic literature, and Hekhalot texts. Dr. Avishai Bar Asher has been awarded the Matanel Prize for the best book in Jewish Thought published during the years 2018-2019.

In the postmodern, relativist world-view with its refutation of a single, objective, and ultimate truth, it has become difficult if not impossible to argue in favour of one’s own beliefs as preferable to those of others. Miriam Feldmann Kaye’s pioneering study is one of the first English-language books to address Jewish theology from a postmodern perspective, probing the question of how Jewish theology has the potential to survive the postmodern onslaught that some see as heralding the collapse of religion. Basing her arguments on both philosophical and theological scholarship, Feldmann Kaye shows how postmodernism might actually be a resource for rejuvenating religion. Her response to the conception of theology and postmodernism as competing systems of thought is based on a close critical study of Rav Shagar (Shimon Gershon Rosenberg) and Tamar Ross. Rather than advocating postmodern ideas, she analyses their writings through the lens of the most radical of continental postmodern philosophers and cultural critics in order to offer a compelling theology compatible with that world-view. Whether the reader considers postmodernism to be inherently problematic or merely inconsequential, this study demonstrates why reconsidering these preconceptions is one of the most pressing issues in contemporary Jewish thought.

This issue contains the following essays : Guy D. Stiebel | ʻBurns Like Fireʼ - Mustard and Viniculture in Roman Palestine Jonathan Vardi | Song-Cycles in the Dīwān of Samuel Ha-Nagid Hillel Ben-Sasson | Transgressions and Punishments. The Special Contribution of Rabenu Yonah Gerondi’s Shaʿarei Teshuvah Kedem Golden | Addenda to the Poetry of Yosef Ben Tanḥum Hayerushalmi Avishai Bar-Asher | ‘Berikh Shemehʼ: The History of an Anonymous Aramaic prayer that Found its Way into Sefer ha-Zohar and the Prayer Book

This study is the first monograph on the meanings given to the divine name YHWH in the Jewish tradition. It seeks to trace the interplay between the motivation to speak about God and the wish to speak to Him through the meanings given to the name YHWH, in three central stages of Jewish thought: the Hebrew Bible, rabbinic literature, and medieval philosophy and mysticism. From a textual perspective, the current study offers a close reading in a variety of Jewish texts and genres, including the Old Testament, Mishna, Midrash, Philo’s writings, Jewish medieval philosophy, biblical exegesis and various mystical texts . There is hardly an exegetical or contemplative Jewish text that does not in some way deal with the name YHWH. Accordingly, almost every scholarly field related to Judaism discusses it in some capacity. However, despite the immensity of the literature, YHWH and its status as a proper name have not been the focus of a comprehensive scholarly work. None have yet attempted to paint a picture of YHWH’s meaning over a spectrum of periods and genres, while offering conceptual and textual discussion. This study seeks to fill that gap.

In both these essays, "On the Indians" and "On The Laws of War", published here for the first time in Hebrew, Francisco de Vitoria lays down the foundations of international law as it is known today. De Vitoria develops for the first time concepts which will become the core of contemporary international law and international conventions, and in particular, participation in an unjust war, the ruler's personal responsibility for the decision about going to war, and the direct and indirect responsibility of subjects taking part in the hostilities. Both essays are firmly embedded in the debates of early modern Europe about the Law of Nature and the Law of Nations, and their impact on claims of European rulers to imperium and dominium (Imperial slugs and control) on overseas territories. In his wide-ranging Introduction to this book, Prof. Amos M egged places the two essays within the context and spectrum of the scholarly debates that were conducted at the major European universities during the early modern period, and provides the readers with a unique interpretation of the most distinctive themes in the essays, namely, the issue of human rights and international law, and presents personal insights on these aspects.

Kobez Al Yad , an annual of the Mekize Nirdamim Society, is a forum for the publication from manuscript sources of ancient texts in Jewish studies that are shorter than book-length. Contents Avishai Bar Asher Isaac b. Shelomo Ibn Sahula Commentary on Psalms Leore Sachs-Shmueli The Beginning of Sefer Toldot Adam by Joseph of Hamadhan Eric Lawee and Doron Forte The Book of Strictures on Rashi's Torah Commentary Ascribed to Rabad Ofer Elior R.Shalom 'Anabi's Commentary on the Laws of the Foundations of the Torah Yohanan Kapah R. Joseph Hayyun's Commentary on Amos

This issue contains the following essays : Menahem Kahana - The Good in the Sight of Heaven and Right in the Sight of Man Yair Furstenberg - From Tradition to Controversy: New Modes of Transmission in the Teachings of Early Rabbis Gideon Bohak - A New Genizah Fragment of Toledoth Yeshu in Aramaic Yehoshua Granat - To Alexandria, with the sound of bell and pomegranate: Yehuda Halevi’s Arrival in Alexandria in Light of a Newly Identified Poem by Aaron Ibn Al-ʿAmmānī Shulamit Elizur - Between Poetic and Statutory Formulations: A Note on the History of the Ha-Maʿariv ʿAravim Benediction Menahem Kister - ‘The Lord of Hosts is His Name in Ha-Maʿariv ʿAravim Benediction: Metamorphoses and Erosion of Benediction Formulae Joshua Blau - Review of: W. Randall Garr and Steven Ellis Fassberg (eds.), A Handbook of Biblical Hebrew , I: Periods, Corpora, and Reading Traditions (xii + 228 pp.); II: Selected Texts (vi + 136 pp.), Winona Lake, IN 2016

The characters of the Yanuka (the Zoharic Wunderkind) and the Sava (the wise old man), appear in various Zoharic stories, revealing themselves to the sages of the Zohar (Rabbi Shimon Bar Yohai and his disciples). These two figures are among the most meaningful and complex mythical figures in Zoharic literature. The main argument in this work is that the Sava and Yanuka characters are portrayed as the embodiment of God and his Son (and the Messiah). This book is the first attempt to grasp the full extent and depth of these mythical figures and the close ties that exist between them. At the same time, the book reveals an important chapter in the history of Jewish myth and contributes to the understanding of the messianic consciousness that characterizes the stories of the Sava and Yanuka in the Zohar and exposes their hidden and polemical ties with Christianity. The book is currently available as an ebook. A print edition will be available soon.

Abū Ḥāmid al-Ghazālī’s Mishkat al-Anwar (The Niche of Lights) is justly included in the Hall of Fame of world mysticism as an immortal masterpiece for generations to come. Its subject matter is an arcane mystical interpretation of the Light Verse, sura An-Nur (Qur’an, verse 35), whose text has become a central symbol for the mainstream of Sufi mysticism. The book centres on the light and the mystery of light within a Sufi’s world. Its central importance caused The Niche of Lights to be translated to Hebrew twice in the Middle Ages, and for many generations it provided a source of inspiration in the realm of Judaism for philosophers and Kabbalists alike. This essay has now been re-translated to contemporary Hebrew. This classic inspirational text, a guide for the perplexed of the internal journey to the mystery of Divine Light, is an important, central chapter in the history of human spirituality; and occupies centre stage in the endeavour to establish prophesy, divine inspiration and a new Israeli spirituality.

Birkat Ha-Avoda of Tefillat Ha-Amidah has a long history spanning the Second Temple period to the early Middle Ages. This title follows the different formats of the prayer through the ages, examining a variety of sources: Writings from the Second Temple period, rabbinic texts, Christian texts, early Piyutim, medieval sources, and dozens of Siddurim and excerpts from Siddurim. The comparative study of these sources generates a detailed description of the development of Birkat Ha-Avoda, which sheds light on the history of the regular prayers and Jewish customs.

In a brief historic moment in the nineteenth century, printing presses, publishing ventures, a periodical press, circulation networks, and a mass readership came into being all at once in the Middle East, where none had previously existed. The shift had ramifications in every sphere of the community's life. Among other outcomes, it facilitated the cultural and literary movement known as the Arab nahḍa ('awakening'). Ayalon's study offers a critical inquiry into the formative phase of that grand change in Arab societies, from 1800-1914. It explores the advent of printing and publishing, the formation of mass readership, and the creation of distribution channels, the vital and often overlooked nexus linking the former two processes. The book considers questions of cultural and religious tradition, social norms and relations, and concepts of education, thus shedding new – and often surprising – light on crucial facets of the emerging print culture in the Middle East.