The New Arabic-Hebrew Dictionary is a comprehensive reference of the Arabic language throughout history, with a focus on its use in spoken and written media. Given Arabic's rich literary tradition spanning over 1,400 years, the language naturally incorporates words and expressions rooted in ancient literary strata, including the Qur'an, classical poetry, proverbs, the Hadith, jurisprudential literature, Adab literature, and historical texts. Terms and expressions from the realm of Islamic theology and jurisprudence, which were considered archaic 50 or 60 years ago, have regained prominence with the rise of fundamentalist Islam in the 1970s. This dictionary offers translations and explanations for these terms as well. After publishing the full dictionary in a large, 700-page edition, we decided it would be useful to publish a more concise version—smaller, portable, and easier to handle. This edition differs from the full dictionary in that it omits examples and comments, as well as archaic entries from ancient poetry, the Hadith, and jurisprudential literature. To the full edition of The New Arabic-Hebrew Dictionary

The emergence of the Yiddish and Hebrew press in the United States was one of the great cultural enterprises of the Jewish immigrants from the Russian and Austro-Hungarian empires in the last third of the nineteenth century, and its influence on the lives of individuals and communities was enormous. From the Cellar to the Top Floor traces the journey of the Hebrew Alphabet press across the Atlantic following the Jewish mass migration. Against the background of the American press, the book discusses the development of the Hebrew and Yiddish press from an economic, cultural and political point of view. It traces the ongoing negotiations between the Jewish immigrant society and the American majority society at the end of the nineteenth century. Based on personal correspondence, legal documents, archival evidence, and contemporary press materials ,the book offers the first comprehensive analysis in Hebrew of the formative decades in the emergence of one of the leading cultural institutions in modern Jewish society.

Yiddish in Israel: A History challenges the commonly held view that Yiddish was suppressed or even banned by Israeli authorities for ideological reasons, offering instead a radical new interpretation of the interaction between Yiddish and Israeli Hebrew cultures. Author Rachel Rojanski tells the compelling and yet unknown story of how Yiddish, the most widely used Jewish language in the pre-Holocaust world, fared in Zionist Israel, the land of Hebrew. Following Yiddish in Israel from the proclamation of the State until today, Rojanski reveals that although Israeli leadership made promoting Hebrew a high priority, it did not have a definite policy on Yiddish. The language's varying fortune through the years was shaped by social and political developments, and the cultural atmosphere in Israel. Public perception of the language and its culture, the rise of identity politics, and political and financial interests all played a part. Using a wide range of archival sources, newspapers, and Yiddish literature, Rojanski follows the Israeli Yiddish scene through the history of the Yiddish press, Yiddish theater, early Israeli Yiddish literature, and high Yiddish culture. With compassion, she explores the tensions during Israel's early years between Yiddish writers and activists and Israel's leaders, most of whom were themselves Eastern European Jews balancing their love of Yiddish with their desire to promote Hebrew. Finally Rojanski follows Yiddish into the 21st century, telling the story of the revived interest in Yiddish among Israeli-born children of Holocaust survivors as they return to the language of their parents.

The Twelve Prophets volume of the the Hebrew University Bible Project presents a diplomatic editio maior of the text of the Hebrew Bible, based upon the Aleppo Codex, with variants from other textual testaments recorded in a system of apparatuses. The readings collated in the edition are culled from a broad variety of sources, including the ancient translations (Greek Septuagint and revisions, Latin Vulgate, Syriac Peshitta, Aramaic Targum Jonathan), Dead Sea Scrolls, biblical quotations in rabbinic literature, Genizah fragments, a broad array of medieval Hebrew manuscripts representing the Masoretic text, up to Jacob Ben-Hayyim’s Second Biblia Rabbinica of 1524-25. This extensive documentation reflects the attested transmission history of the biblical text, covering a period of almost two millennia.

This volume presents a selection of excepts (in the original Arabic and with a Hebrew translation) from the Eretz-Israeli Sefer Horayat Haqore , written by the prominent Karaite scholar Abū al-Faraj Hārūn ibn al-Faraj (also known as Aaron of Jerusalem), in the first half of the 11th century. The selected excerpts represent issues often discussed in the biblical orthoepy discipline, which has two components: grammatical theory and cantillation theory.

Armenian Manuscripts of the David and Jemima Jeselsohn Collection is devoted to the five Armenian codices in the Jeselsohn collection in Zurich. Of great importance for Armenian studies and the history of art more generally, they represent various literary types, including biblical, hagiographic, homiletic, and liturgical texts. They also reflect an array of visual and artisanal traditions, connected to artistic centres in the Armenian Kingdom of Cilicia, Constantinople, and New Julfa, and span a period of over 300 years. A newly identified Sargis Picak manuscript is of exceptional importance for the study of medieval Armenian art, for its images, for Sargis’ colophons, and for a a hitherto unstudied ivory plaque of the Transfiguration. A Ritual of 1586 holds particular importance for scholars of the Armenian liturgy and its development in sixteenth-century Jerusalem. Also presented is a beautiful parchment leaf of the opening of the Gospel of John, studied and published previously by Michael and Nira Stone, and likely originating from a Bible produced in seventeenth-century New Julfa. Two Gospel Books complete this study: one from New Julfa, dated to 1695, and another likely produced in late seventeenth or early eighteenth-century Constantinople. This book was initiated and supported by David Jeselsohn, avid and longtime collector of archaeological artifacts, manuscripts, and Judaica. It was written jointly by Michael Stone and Christina Maranci. Maranci is an art historian and Stone is a specialist in Armenian philology, palaeography and codicology. Maranci bears primary responsibility for research on the miniatures – their art-historical analysis and iconography as well as their attribution, date, and context. Stone contributed the textual, codicological and palaeographical research, including translation of the colophons from the Classical Armenian (Grabar) into English, and catalogued the contents of all five manuscripts.

A jubilee volume in honor of Prof. Menahem Ben-Sasson. The book, which contains 22 articles written by Prof. Ben-Sasson's colleagues, students, friends, and family members is dedicated to phenomena of leadership in the Jewish world . The various articles examine conceptions, practices and ways of Jewish leadership from diverse perspectives and in varied times and places. They are based on variegated sources: historical and judicial documents, biblical exegeses, poetry, letters, Responsa, polemical and philosophical writings. The volume is a tribute to Prof. Ben Sasson's extensive academic and public activity.

To the Water , a monograph on the writer Yosef Haim Brenner, seeks to reimagine the conventional perspective on Brenner, shifting the focus from his role as a national prophet to that of a modernist writer. The chapters of the book collectively form a life story, not only of the writer himself but also of his artistic era, the era of early Hebrew modernism. This innovative literary language, forged through the wanderings of Brenner and his cohort of young, provincial writers in early 20th-century Europe, transcended mere "style". It constituted a profound way of thinking and experiencing the world, swiftly captivating its creators, bursting forth in their works with great originality, and, paradoxically, vanishing with the same swiftness with which it had arrived. The book strives to recontextualize Brenner's creative output, asserting that his style does not merely continue the tradition of European realism from the 19th century. Instead, it stands as a bold and uniquely Hebrew creation, distinct from anything that preceded it.

In this issue: Ohad Abudraham | A New Reading of a Mandaic Incantation Bowl in the Miami University Art Museum Erhard Blum | A “Neglected” Aramaic Dialect: The Literary Idiom of the Kingdom of Aram-Damascus Moshe Bar-Asher | Problems in the Description of the Morphology of Mishnaic Hebrew Haim Dihi | Some Linguistic Innovations in the Book of Ben Sira: The Contribution of MS F from the Cairo Geniza Shai Heijmans | Pretonic Reduction of Greek Loanwords in the Mishna and Its Significance And more...

The New Arabic-Hebrew Dictionary is a dictionary of the Arabic language across the ages, with focus on the language of the spoken and written media. The dictionary also reflects the rich literary history of the Arabic language, of more than 1,400 years, including the Qur'an, ancient poetry, proverbs, the Hadith and jurisprudential literature, Adab literature and historical literature. Terms and expressions from the sphere of Islamic theology and jurisprudence, which were considered archaic 50 or 60 years ago, have come back into use following the rise of fundamentalist Islam in the 1970s, and this new dictionary provides translations and explanations for these terms as well. With over 44,000 entries, this dictionary is today the most comprehensive, up-to-date and reliable dictionary of contemporary Arabic. User-friendly: full vocalization of all Arabic and Hebrew entries. About 6,000 examples from Arabic literature of all eras and from the press clarify the use of words. Over 4,000 grammatical and historical notes. The New Arabic-Hebrew Dictionary is intended for university students and scholars, school pupils and teachers and anyone interested in the Arabic language. To the concise edition of The New Arabic-Hebrew Dictionary

The essay presents the lost archive of the Jewish author Zalman Shneour (Shklov 1887 – New York 1950). It was found in May 2018 at Calle Eraso 21 in Madrid – the city through which he had passed in the summer of 1941. Four carton boxes survived in the apartment of his late daughter, Renee Rebecca Shneour, who fled to New York together with her father but returned to live in Madrid in her adulthood. The essay offers a reading of Shneour's correspondences with three women - his mother in Shklov, his friend and lover in Berlin, and his daughter.

We are pleased to present our readers with this double issue of Massorot , volume 21–22, published by the Center for Jewish Languages and Literatures in collaboration with the Jewish Oral Traditions Research Center. The volume contains eleven articles which testify to the varied interests of contemporary scholars in the field of Jewish languages and the Hebrew traditions of the diverse communities of the Jewish People. Five of the articles concern themselves with Bible translations in Jewish languages, four of these in varieties of Judeo-Arabic: Moshe Bar-Asher discusses the conservative features of the Sharḥ (Judeo-Arabic calque translations transmitted orally) in the Maghreb. Shay Matsa deals with the last Judeo-Arabic Bible translation from Aleppo and its author. Ibrahim Bassal scrutinizes the interplay of elements from the Tafsīr of Saadiah Gaon and the Syriac Bible tradition in a Christian Arabic Bible translation. Zahi Abbas discusses the distinctive features of Saadiah Gaon’s Judeo-Arabic Bible translation. Yaffa Israeli analyzes translations of the Book of Jonah in three different regional dialects of Jewish Neo-Aramaic, from Urmi, Saqqiz and Rawanduz. Another two articles are concerned with other aspects of Judeo-Arabic in North Africa: Paul B. Fenton discusses three Judeo-Arabic historical dirges, two from the Tafilalt region and one from Algiers. Mor Daniel analyzes the forms of the plural used in the Judeo-Arabic of newspapers published in Tunis at the end of the nineteenth and beginning of the twentieth century. Two articles in the volume deal with Jewish Romance languages: Ora (Rodrigue) Schwarzwald offers the fruit of her research into the Passover Haggadah published in Sofia in Cyrillic letters. Michael Ryzhik focuses on the linguistic features of two Judeo-Italian dramas in Latin letters. Two articles in the volume are concerned with the Hebrew language traditions of different Jewish communities: Mor Shemesh analyzes the whole plural forms of segholate nouns in the reading of the Mishnah according to the late Ashkenazi tradition. Adam Bin-Nun discusses the link between the Yemenite version of the Torah text and that of Maimonides.