Changes in childhood and children's roles in society, and in how children participate in determining their own lives, have long been of interest to historians. Recent years have seen the emergence of new perspectives on the study of childhood, both in historical scholarship and in literary and cultural studies. Children's experiences are now scrutinized not only as a means of examining the lives and self-representation of young individuals and their families, but also to investigate how the early experiences of individuals can shed light on larger historical questions. This volume applies both approaches in the context of Jewish eastern Europe. Historian Gershon Hundert has argued that studying the experience of children and attitudes towards coming of age offers an important corrective to the way we think of the Jewish past. This volume proves the potential of this approach in exploring many areas of historical interest. Among the topics investigated here are changes in perceptions of childhood and family, progress in the medical treatment of children, and developments in education. The work of charitable institutions is also considered, along with studies of emotion, gender history, and Polish-Jewish relations. From the First World War until after the Holocaust and the Second World War, countless children experienced traumatizing events. A special section is dedicated to their fate.

An in-depth and multifaceted investigation of how Polish Jews, Polish Zionism, and Polish culture influenced Israel’s cultural and political development, as well as of how the Zionist project influenced Jewish life in Poland. From its inception as a political movement, Zionism had as its main goal the creation of a ‘New Jew’ who could contribute to building a Jewish state, preferably in the historic homeland of the Jewish people, where Jews would free themselves from the negative characteristics which, in the view of the ideologues of Zionism, had developed in the diaspora. Yet, inevitably, those who settled in Palestine brought with them considerable cultural baggage. A substantial proportion of them came from the Polish lands, and their presence significantly affected the political and cultural life of the Yishuv, and later the State of Israel. In this volume, scholars from Israel, Poland and elsewhere in Europe, and North America explore different aspects of this influence, as well as the continuing relationship between Israel and Poland, up to the present day.

Following tremendous advances in recent years in the study of religious belief, this volume adopts a fresh understanding of Jewish religious life in Poland. Approaches deriving from the anthropology, history, phenomenology, psychology, and sociology of religion have replaced the methodologies of social or political history that were applied in the past, offering fascinating new perspectives. The well-established interest in hasidism continues, albeit from new angles, but topics that have barely been considered before are well represented here too. Women’s religious practice gains new prominence, and a focus on elites has given way to a consideration of the beliefs and practices of ordinary people. Reappraisals of religious responses to secularization and modernity, both liberal and Orthodox, offer more nuanced insights into this key issue. Other research areas represented here include the material history of Jewish religious life in eastern Europe and the shift of emphasis from theology to praxis in the search for the defining quality of religious experience. The contemporary reassessments in this volume, with their awareness of emerging techniques that have the potential to extract fresh insights from source materials both old and new, show how our understanding of what it means to be Jewish is continuing to expand.

With its five thematic sections covering genres from cantorial to classical to klezmer, this pioneering multi-disciplinary volume presents rich coverage of the work of musicians of Jewish origin in the Polish lands. It opens with the musical consequences of developments in Jewish religious practice: the spread of hasidism in the eighteenth century meant that popular melodies replaced traditional cantorial music, while the greater acculturation of Jews in the nineteenth century brought with it synagogue choirs. Jewish involvement in popular culture included performances for the wider public, Yiddish songs and the Yiddish theatre, and contributions of many different sorts---technical and commercial as well as creative---in the interwar years. Chapters on the classical music scene cover Jewish musical institutions, organizations, and education; individual composers and musicians; and a consideration of music and Jewish national identity. One section is devoted to the Holocaust as reflected in Jewish music, and the final section deals with the afterlife of Jewish musical creativity in Poland, particularly the resurgence of interest in klezmer music. The essays in this collection do not attempt to to define what may well be undefinable---what ‘Jewish music’ is. Rather, they provide an original and much-needed exploration of the activities and creativity of ‘musicians of the Jewish faith’.

At the beginning of the twentieth century, the Jewish communities of Poland and Hungary were the largest in the world and arguably the most culturally vibrant, yet they have rarely been studied comparatively. Despite the obvious similarities, historians have mainly preferred to highlight the differences and emphasize instead the central European character of Hungarian Jewry. Collectively, these essays offer a different perspective. The volume has five sections. The first compares Jewish acculturation and integration in the two countries, analysing the symbiosis of magnates and Jews in each country’s elites and the complexity of integration in multi-ethnic environments. The second considers the similarities and differences in Jewish religious life, discussing the impact of Polish hasidism in Hungary and the nature of ‘progressive’ Judaism in Poland and the Neolog movement in Hungary. Jewish popular culture is the theme of the third section, with accounts of the Jewish involvement in Polish and Hungarian cabaret and film. The fourth examines the deterioration of the situation in both countries in the interwar years, while the final section compares the implementation of the Holocaust and the way it is remembered. The volume concludes with a long interview with the doyen of historians of Hungary, István Deák.