Auseinandergeschrieben

In his book History, Literature, Critical Theory (2013), historian Dominique La Capra presented how the narrator's voice in the 19th and 20th century novel came to a collapse that reflects modern traumatic experience. This study uses this theoretical prism in order to construct a cultural dimension of twentieth-century Jewish poetics, a dimension in which trauma is reflected in its linguistic representation, and vice versa: shapes that representation itself. The book offers to understand Jewish literature in the twentieth century as a far-reaching cultural experience, in which the human figure is not made possible by words but instead, collapses into the animal, the absence, the broken witness, the Muslim, the eastern, the Arab and the queer.