Rosh
Hashana, the Day of Judgment, has been embellished with numerous fascinating
liturgical poems (piyyutim). This book is devoted to the compositions
that were written for Rosh Hashana by the illustrious poet R. El‘azar berabbi
Qillir, who was active in the Land of Israel at the beginning of the seventh
century. The piyyutim for Rosh Hashana are many and varied, and they
adorn all of the special prayers for the festival. A number of these piyyutim
are known and recited to this day in Ashkenazi congregations, while others
are published here for the first time. Even those piyyutim that are
known from the festival prayer books (mahzorim) are presented here in a
new light. The present edition is primarily based not on European mahzorim,
but on earlier fragments from the Cairo Genizah; on the basis of such early
sources the editors have succeeded in adding new, original material to the
known compositions—there is not one famous composition to which heretofore
unpublished material has not been added, in some cases throwing new light on
the entire work. Even in such cases, therefore, we are not merely offering old
wine in new wineskins, but presenting a new blend that confers on the poetic
compositions novel aspects, not previously brought to light.
This
edition has been prepared on the basis of close to 400 manuscripts, and all of
the variant readings have been given in the margins. An extensive commentary
aids the reader in understanding the difficult idiom of the payyetan,
identifying the many scriptural and midrashic sources that are woven into the piyyutim,
and following the development of their themes. A general introduction treats
various questions connected to the poems, from their attribution to the author
and the reconstruction of the component parts of each composition, to the
literary shaping of the material. In his piyyutim, R. El‘azar berabbi
Qillir treats Rosh Hashana in all of its aspects: the Day of Judgment, the
blowing of the shofar; the malkhiyot, zikhronot, and shofarot
verses; the merit of the Fathers; and more. A number of compositions are
specially intended for when Rosh Hashana falls on the Sabbath. Qillir’s unique
method in the shaping of each of these themes is also clarified in the
introduction. The complex web of interrelations between the piyyutim and
their literary sources is elucidated as well; thus it has become clear, for
example, that one of the piyyutim edited here for the first time throws
new light on the famous poem, U-netane toqef qedushat ha-yom.
“O King,
Remember [the ram] caught [by its] horn!” These few words from one of the piyyutim
published in the book reveal the genius of the great payyetan. Here, R.
El‘azar berabbi Qillir has succeeded in encapsulating in four words the three
great themes that lie at the heart of the benedictions that are unique to Rosh
Hashana—kingship, remembrance and the ram’s horn (shofar)—all in the
form of a prayer that beseeches God to remember for our sakes, on the Day of
Judgment, the Binding of Isaac, symbolized by the ram whose horns are caught in
the thicket. And if in four words the payyetan has managed to
encapsulate such far-flung meanings, one can only imagine the riches contained
in this enormous collection of R. El‘azarʼs writings
for the Day of Judgment, which we now have before us.