Dr. Amitai Mendelsohn investigates the various appearances of the figure of Jesus in Israeli art as a significant, multifaceted and ever-present phenomenon. Through works by prominent artists from different generations, it discusses in depth the evolving attitudes of Jewish, Zionist pre-state, and Israeli art towards Jesus, from the second half of the nineteenth century until today: from artists laboring "In the shadow of the Cross" to artists who saw Jesus as a symbol of the rebirth of the Jewish people in the land of Israel, and artists whose engagement with Jesus is detached from the complex and fraught relations between Christianity and Judaism, and who see him as symbolizing the suffering artist. The book examines the different directions taken by Israeli artists in portraying the figure of Jesus, and proves the extent of this phenomena and its ever present importance.

All cultures, religions, and ethical or legal systems struggle with the role intention plays in evaluating actions. The Talmud compellingly elaborates on the notion of intention through the radical concept that “A sin committed for the sake of God [ averah li-shmah ] is greater than a commandment fulfilled not for the sake of God [ mi-mizvah she-lo li-shmah ].” The Babylonian Talmud attributes this concept, which challenges one of rabbinic Judaism’s most fundamental dogmas, the obligation to fulfill the commandments and avoid sin—to R. Nahman b. Isaac (RNBI), a renowned 4th century Amora. Considering the normative character of the rabbinic culture in which Halakhah (Jewish religious law) plays such a central role, this concept, seems almost like a foreign body in the Talmudic corpus. The book reveals the origins of this radical idea, its accurate meaning and use in the time this concept was formulated and the movement of this radical idea from the margins culture to mainstream - into the Babylonian Talmud, the canonic book of Rabbinic Judaism. The findings of this research provide substantial insight into our understanding of the interpretive process and of conceptual adaptation in rabbinic culture.

Dr. Amitai Mendelsohn investigates the various appearances of the figure of Jesus in Israeli art as a significant, multifaceted and ever-present phenomenon. Through works by prominent artists from different generations, it discusses in depth the evolving attitudes of Jewish, Zionist pre-state, and Israeli art towards Jesus, from the second half of the nineteenth century until today: from artists laboring "In the shadow of the Cross" to artists who saw Jesus as a symbol of the rebirth of the Jewish people in the land of Israel, and artists whose engagement with Jesus is detached from the complex and fraught relations between Christianity and Judaism, and who see him as symbolizing the suffering artist. The book examines the different directions taken by Israeli artists in portraying the figure of Jesus, and proves the extent of this phenomena and its ever present importance.

The Pensées is simply the compelling "Thoughts" of mathematician, physicist, and religious thinker Blaise Pascal. Originally intending to publish a book defending Christianity, Pascal died before he could complete it. The thoughts and ideas for his book were collected and compiled, posthumously, and then published as the Pensées. Pascal's thoughts are as powerful as they are comprehensive. He discusses with great wonder and beauty the human condition, the incarnation, God, the meaning of life, revelation, and the paradoxes of Christianity. He passionately argues for the Christian faith, using both argumentation and his famous "Wager." His ideas and arguments are sometimes developed and intricate, at other times, abrupt and mysterious.

The character of the Epistle to the Hebrews differs greatly from all other letters included in the New Testament. It is actually a sermon interpreting numerous biblical verses with the aim to substantiate its unique claim for Jesus' heavenly priesthood. The reliance on biblical proof-texts enables the writer to establish his innovative claims vis-a-vis both the broader Jewish tradition and the competing outlooks existing within the Jesus movement itself. The eight conversations in the book discuss the Epistle's interpretative strategies in order to unearth the worldview of its author and the nature of its target audience.

The content of the articles in this book reflect the diversity of the areas researched by Professor Zev Harvey. The three key subjects covered in this collection are: the first focuses on the teachings of Maimonides, the second- the philosophy of Rabbi Hasdai Crescas and other philosophers in the Middle Ages, while the third includes essays on Jewish philosophers since the beginning of the modern era to the present.

The book Mah Nishtannah: The Passover Night in the Sages' Discourse seeks to provide novel answers, based upon up-to-date methods of scholarly Talmud analysis, to ancient questions raised by the Seder Night, a night at the focus of Jewish culture from time immemorial. The book analyzes the focal points of this night – the Passover meal and its commandments on one hand, and the foundation of the Haggadah and the development of its design and history of its structure on the other.

In the volume Kabbalah, Mysticism and Poetry: A Journey to the End of Vision , top researchers from a variety of disciplines generate a thrilling encounter between Jewish, Christian and Islamic texts, drawing on poetic, religious and mystical interpretation tools in an interdisciplinary feast of aesthetics, literature and poetics on the one hand, and mysticism and theology on the other. In this fascinating, complex, and entangled journey to the end of vision we meet some of the leading authors who made a crucial contribution to human world culture, and who were deeply interested in Kabbalah and mysticism, such as the Zohar Kabbalists, Israel Najara, Shmuel Yosef Agnon, Paul Celan, Jorge Luis Borges, Julia Kristeva, Al-Hallaj, Ibn Arabi, Dante, Cervantes, John Donne, and Marcel Proust.

The feminine divine presence, the Shekhinah, has received detailed description in the Kabbalistic literature from the time of its inception at the end of the 12th century. The present book pursues the tracks of the belief in the Shekhinah and demonstrates that the main motive of the Kabbalists was not to disseminate the belief in Her but rather to restrain and to supervise this belief which had evolved outside the Kabbalists’ sphere or in its margins.

Ram Ben-Shalom offers a detailed analysis of the extent of Jews' exposure to the history of those with whom they lived, and of how they expressed their historical consciousness in encountering them in different contexts. He shows that the Jews in these southern European lands experienced a relatively open society that was sensitive to and knowledgeable about voices from other cultures, and that this had significant consequences for shaping Jewish historical consciousness. The historical consciousness of medieval Jewry has engendered lively debate in the scholarly world. The focus in this book is on the historical consciousness of the Jews of Spain and southern France in the late Middle Ages, and specifically on their perceptions of Christianity and Christian history and culture. In his detailed analysis of Jews’ understanding of the history of the communities they lived among, Ram Ben-Shalom shows that in these southern European lands Jews experienced a relatively open society that was sensitive to and knowledgeable about voices from other cultures, and that this had significant consequences for shaping Jewish historical consciousness. Among the topics that receive special attention are what Jews knew of the significance of Rome, of Jesus and the early days of Christianity, of Church history, and of the history of the Iberian monarchies. Ben-Shalom demonstrates that, despite the negative stereotypes of Jewry prevalent in Christian literature and increasing familiarity with that literature, they were more influenced by their interactions with Christian society at the local level. Consequently there was no single stereotype that dominated Jewish thought, and frequently little awareness of the two societies as representing distinct cultures. This book contributes to medieval Jewish intellectual history on many levels, demonstrating that, in Spain and southern France, Jews of the later Middle Ages evinced a genuine interest in history, including the history of non-Jews, and that in some cases they were deeply familiar with Christian and sometimes also classical historiography. In providing a comprehensive survey of the multiple contexts in which historiographical material was embedded and the many uses to which it was put, it enriches our understanding of medieval historiography, polemic, Jewish-Christian relations, and the breadth of interests characterizing Provencal and Spanish Jewish communities. This fascinating and well-documented study will appeal not only to scholars of Jewish studies and of medieval history and literature, but also to those interested in Christian history and historiography and in the long saga of Jewish-Christian relations.

The philosopher, astronomer, and biblical exegete known both as Gersonides and Ralbag (1288-1344) wrote a veritable library of works that testify not only to the breadth of his intellectual concerns but to his attempt to forge a synthesis between the secular sciences and Judaism. This is the first English-language study to assess his place and significance for Jewish thought, and it offers a comprehensive picture of his philosophy that is both descriptive and evaluative. Gersonides (1288-1344), known also as Ralbag, was a philosopher of the first rank as well as an astronomer and biblical exegete, yet this is the first English-language study of the significance of his work for Jewish thought. Seymour Feldman, the acclaimed translator of Gersonides' most important work, The Wars of the Lord---a complete philosophical system and astronomical encyclopedia---has written a comprehensive picture of Gersonides' philosophy that is both descriptive and evaluative. Unusually for a Jewish scholar, Gersonides had contacts with several Christian notables and scholars. It is known that these related to mathematical and astronomical matters; the extent to which these contacts also influenced his philosophical thought is a matter of some controversy. Unquestionably, however, he wrote a veritable library of philosophical, scientific, and exegetical works that testify not only to the range of his intellectual concerns but also to his attempt to forge a philosophical-scientific synthesis between these secular sciences and Judaism. Unlike many modern scientists or philosophers, who either scorn religion or compartmentalize it, he did not see any fundamental discrepancy between the pursuit of truth via reason and its attainment through divine revelation: there is only one truth, with which both reason and revelation must agree. As a philosopher-scientist and biblical exegete Gersonides sought to make this agreement robustly evident. While philosophical and scientfic ideas have progressed since Gersonides' time, his work is still relevant today because his attempt to make prophecy and miracles understandable in terms of some commonly held philosophical or scientific theory is paradigmatic of a religion that is not afraid of reason. His general principle that reason should function as a 'control' of what we believe has interesting and important implications for the modern reader. Indeed, some of his basic arguments are favoured by many contemporary thinkers who attempt to incorporate modern science into their religious belief system. He was not afraid to make religious beliefs philosophically and scientifically credible; one could say that he pursued an 'ethics of belief' in that he held that there are constraints to what is believable, especially in religion. In this respect he was a precursor of Kant and Hermann Cohen: Judaism is or should be a religion of reason.