The 70th issue of the journal marks the renewal of Iyyun , which was founded by Martin Buber, Shmuel Hugo Bergman, Julius Gutman and Sinai Ucko about seventy-seven years ago. In the current issue, the question of the relationship between the future and the present is central, and is discussed from different angles. At the methodological level, the purpose of the discussion is to bring the future together with possibilities of speech and thought that will connect it to the present and rescue it from the base of indifference and the obvious. In particular, the question will arise here, in different forms: how is it correct to conceptualize a distant future that is beyond our influence, without turning it into a doomsday scenario disconnected from the present? In this context, the question also arises about the place of hope, and how to understand its meaning and value. A subscription for 2024 can be purchesed through this link or use the online form .

A selection of annotated Hebrew translations of Dogen Zenji's essays, mostly from the Shobogenzo, followed by a thorough analysis of his life and thought.

Jacques Lacan’s teaching lasted about three decades. Like Freud before him, Lacan was profoundly interested in the arts, particularly in painting. Lacan not only turned to specific artworks to clarify psychoanalytic concepts but also addressed theoretical aspects of painting. Like scholars from other fields, such as philosophy or cultural studies, who have turned to Lacan’s thinking throughout his career, art scholars often make use of Lacan’s teaching while analyzing various notions in art. These arguments deal mostly with Lacan’s early teaching or his seminars from the sixties. Yet, his late teaching and its relation to the visual arts remains relatively unknown, even though Lacan’s most radical views are presented for the first time during his late teaching of the seventies, and these conceptualizations carry immense value for theoretical discourse on contemporary art. Lacan’s late teaching and its relation to art fashions the cornerstone of this book, it is the wrap thread that runs through it. The other thread, the woof, which this book weaves into the psychoanalytic discourse, is of a different kind and nature: the discourse of art which analyzes specific instances of the works of art of contemporary Israeli artists: Michal Na’aman, David Ginton, Joshua Borkovsky and Shahar Yahalom.

Le 17 juin 1940, l’écrivain français Jean Guéhenno prit une double résolution après avoir entendu la déclaration radiophonique du maréchal Pétain annonçant aux Français la fin des combats et la demande d’armistice: tenir un journal, mais ne rien publier tant que durerait l’occupation allemande. Le récit de cette période trouble parut en 1947 sous le titre éloquent de Journal des années noires. Si le livre a été quelque peu oublié, la formule, par contre, est passée à la postérité. Dans l’esprit de Guéhenno, elle signifiait que ces années-là furent un tunnel, sinon un cauchemar: noires pour les victimes civiles et militaires disparues; noires pour les errements et les égarements des élites gouvernant la France; noires encore et surtout pour le déshonneur infligé à la conscience historique d’une grande nation; l’envers des Lumières, lesquelles se confondaient pour lui avec l’idée qu’il se faisait de la France.

Nietzsche is not ordinarily considered a philosopher of law, and despite the voluminous literature on almost every other aspect of his thought, little has been written about his reflections on the role of law in the social, intellectual, and personal spheres. Yet careful reading of his works reveals a significant body of critical reflection on socio-jurisprudential questions regarding the nature of law, obedience to the law, the criminal mindset, punishment, and more. The book presents for the first time, a comprehensive collection of aphorisms gathered from the entire Nietzschean corpus that explicitly or implicitly addresses the subject of law, arranged thematically, along with contextualization, annotation, and commentary. The book contains six chapters - The Self in the Presence of Law, The Criminal: A Profile, Causation, Action, Free Will, Punishment, Rights and Obligations, Religion and State. It thus provides a panoramic view of Nietzsche’s critical discourse on law and legal culture.

The World of Machiavelli explores his teaching by placing it squarely in its political and intellectual context. Based on a wide range of personal letters, diplomatic dispatches and administrative memoranda as well as on his treatises, plays and poems, it traces the development of his skills, mental habits and unique views from his youth, through his turbulent public career, to his last days. Alongside the formative historical and personal circumstances, the book explores the universal dimensions of Machiavelli’s thought, which forms an integral part of an ongoing conversation about our ability to organize our shared lives and shape our destiny. Thus, The World of Machiavelli differs from most biographies and studies of his thought: focusing on a cluster of themes that are central both in his works and in our modern public life, the book invites the readers to reflect on major issues of our time by engaging with Machiavelli.

Philo was the first Jewish philosopher who left behind one of the richest bodies of work from antiquity, yet his personality and intellectual development have remained a riddle. Maren Niehoff presents the first biography of Philo, arguing that his trip to Rome in 38 CE was a turning point in his life. He was exposed then not only to new political circumstances but also to a new cultural and philosophical environment. The Intellectual Biography traces Philo's trajectory from his early days as a Bible interpreter in the Jewish community of Alexandria to his diplomatic and intellectual activity in Rome, when he engaged Roman philosophy. Anticipating Sa'ada Gaon and Maimonides by almost a thousand years, Philo creatively presents Jewish philosophy in the context of contemporary culture and thought.

How did a group of charismatic, apocalyptic Jewish missionaries, working to prepare their world for the impending realization of God’s promises to Israel, end up inaugurating a movement that would grow into the gentile church? Committed to Jesus’s prophecy—“The Kingdom of God is at hand!”—they were, in their own eyes, history’s last generation. But in history’s eyes, they became the first Christians. In this electrifying social and intellectual history, Paula Fredriksen answers this question by reconstructing the life of the earliest Jerusalem community. As her account arcs from this group’s hopeful celebration of Passover with Jesus, through their bitter controversies that fragmented the movement’s midcentury missions, to the city’s fiery end in the Roman destruction of Jerusalem, she brings this vibrant apostolic community to life. Fredriksen offers a vivid portrait both of this temple-centered messianic movement and of the bedrock convictions that animated and sustained it.

This wide-ranging book shows how, since the first centuries of the Christian era, gentiles have associated Jews with noise. The study focuses on a “musical libel" - a variation on the Passion story that recurs in various forms and cultures in which an innocent Christian boy is killed by a Jew in order to silence his “harmonious musicality.” In paying close attention to how and where this libel surfaces, Ruth HaCohen covers a wide swath of Western cultural history. The author combines in her analysis the perspectives of musicology, literary criticism, philosophy, psychology, and anthropology, tracing the tensions between Jewish “noise" and idealized Christian “harmony” and their artistic manifestations from the high Middle Ages through Shakespeare, Bach, Wagner, George Eliot, Kafka, Schoenberg and others. She explores testimonies by outsider visitors of synagogues, operas, caricatures, and Nazi movies. Her analysis shows how entrenched aesthetic-theological assumptions have persistently defined European culture and its internal moral and political orientations. Following the publication of the book, the author received two prestigious awards: the Polonsky Award for Creativity and Originality in the Humanities, and the Kinkelday Award from the American Musicological Society for the best book in musicology published in 2011 .

Life crises present before the person experiencing them an opportunity to embark on a philosophical journey that is not detached from everyday life. This book provides philosophical guidance which could help a person define their own basic questions, as well as support in the process of creative, autonomous, critical and authentic development of a newly generated world view. It aims to enable a person to realize ideas from the history of human thought and to make their life more meaningful.

During the last decades there have occurred significant upheavals in the political and military position of many religious and ethnic communities in the Middle East and North Africa. Communities which had been rejected and discriminated for decades rose to power or strengthened their political position in their countries by means of military struggles. Meanwhile, in Israel/Palestine, the ethnical-religious Jewish minority has become a ruling majority, while excluding the former Arab-Muslim-Sunni majority, following the wars of 1948 and 1976. This book examines these processes.