Ta’am HaTe’amim is a messianic treatise in the Hebrew language composed by the Catholic French orientalist and mystic Guillaume Postel (1510-1581). Ta’am HaTe’amim is a relatively unknown Renaissance document, which sheds light on unique intellectual and political stands prevalent among sixteenth-century Catholic reformators . Throughout the treatise, Postel refers to several famous historical issues, depicting them through his own particular perspective, which was based upon a blend of Joachite millenarism, French patriotism and Jewish Kabbalah. In addition, Ta’am HaTe’amim is a rare example of Hebrew writing by an Early Modern Christian Scholar, and it is characterized by remarkable linguistic traits expressing Postel’s theological concepts regarding languages in general and Hebrew in particular.

Early Modern European Civilization and Its Political and Cultural Dynamism presents Schilling's unique contribution to understanding the formation of the nation-state system in Europe. Schilling coined the concept of "confessionalization" - the consolidation of the regional churches and the deepening of Christianity into its nuances in Central and Western Europe, a process that began following the Reformation in the sixteenth century and led to the shaping of national identities. Within the framework of these developments, Schilling examines the effects of religious immigration and the role played by religious minorities in changing society, economy and culture in the early modern period.

Martin Luther, the initiator of the Protestant Reformation, presents the principles of his theological and political theory in the four treatises before us. In the first essay from 1917, also known as Ninety-Five Theses , Luther condemns the Catholic custom of selling plenary indulgences, already expressing insinuated criticism against the Catholic Church and Pope for their pretentions attempts to mediate between the believer and God. In the three essays he wrote in 1520, Luther undermines the foundations of the Catholic Church and its medieval development. This approach had a tremendous influence on all countries that later became Protestant.

Contents Tsippi Kauffman and Itamar Brenner | Narrative and Normative Discourse in the Sugiyot of Procreation Yair Lorberboim | On the Rejection of Reasons in Halakhic Discourse: The Debate on the Reason for the Prohibitions on Marring the Corners of the Head and the Beard Esti Eisenmann | God's Attributes according to Rambi and Crescas Raphael Shuchat | The Place of Manuscripts in Research of the Vilna Gaon’s Writings Ora Wiskind-Elper | Rebbe Yehoshua Heschel Rabinovitz of Monastyrishche: Contemplations of a Hasidic Leader on Judaism in Troubled Times Yaron Naim | Rabbi Kalphon Moshe Hacohen’s Struggle with the Issue of Women’s Status David M. Feuchtwanger | On Theology, Politics and Disobedience in Agnon’s Shlom Olamim Ronit Irshai | The Return of Aqedah Theology: The Relationships between Religion, Gender and Ethics

Ever since its emergence in the thirteenth-century , Jewish Kabbalah, and most prominently – the Book of Zohar, has captured the hearts of Jewish as well as non-Jewish readers. Significant interest in Kabbalah is evident in the Renaissance, when various Christian Scholars accepted the traditional Jewish narrative, according to which the corpus of medieval Jewish Kabbalah is the Oral Law given to Moses on Mount Sinai. The sixteenth century is rightfully considered the golden age of this kind of Christian interest in Jewish Kabbalah. During this period a group of scholars, high-rank priests, and secular rulers were familiar with Kabbalistic notions, some of these Christians read the Kabbalistic treatises, whether in their original versions or in translation, some even composed commentaries or translated them into Latin, and most important - they incorporated Kabbalistic notions into their own theological and messianic conceptions. Among Kabbalistic writings, most of these thinkers' attention was drawn to the Zohar, and some of them attempted to translate parts of it into Latin. The first comprehensive, though not complete Latin translation of the Zohar was composed by the French orientalist and mystic Guillaume Postel in the middle of the 16th century. Postel was a prolific and original thinker, who developed an elaborate messianic theological schema, which he based upon Kabbalistic notions. Convinced, as he was, that the Zohar is the perfect and ultimate expression of his own messianic concepts, he embarked on his life project – producing a Latin translation and commentary on the Zohar. This fascinating commentary on the Zohar never appeared in print nor was it ever translated into any language. In Judith Weiss's On the Conciliation of Nature and Grace substantial parts of Postel's Commentaries on the Zohar are presented in the original Latin vis a vis her Hebrew translation, accompanied by introductions and notes, elucidating Postel's unique perception of the Zohar and the Kabbalah.

Dr. Amitai Mendelsohn investigates the various appearances of the figure of Jesus in Israeli art as a significant, multifaceted and ever-present phenomenon. Through works by prominent artists from different generations, it discusses in depth the evolving attitudes of Jewish, Zionist pre-state, and Israeli art towards Jesus, from the second half of the nineteenth century until today: from artists laboring "In the shadow of the Cross" to artists who saw Jesus as a symbol of the rebirth of the Jewish people in the land of Israel, and artists whose engagement with Jesus is detached from the complex and fraught relations between Christianity and Judaism, and who see him as symbolizing the suffering artist. The book examines the different directions taken by Israeli artists in portraying the figure of Jesus, and proves the extent of this phenomena and its ever present importance.

Dr. Amitai Mendelsohn investigates the various appearances of the figure of Jesus in Israeli art as a significant, multifaceted and ever-present phenomenon. Through works by prominent artists from different generations, it discusses in depth the evolving attitudes of Jewish, Zionist pre-state, and Israeli art towards Jesus, from the second half of the nineteenth century until today: from artists laboring "In the shadow of the Cross" to artists who saw Jesus as a symbol of the rebirth of the Jewish people in the land of Israel, and artists whose engagement with Jesus is detached from the complex and fraught relations between Christianity and Judaism, and who see him as symbolizing the suffering artist. The book examines the different directions taken by Israeli artists in portraying the figure of Jesus, and proves the extent of this phenomena and its ever present importance.

The Pensées is simply the compelling "Thoughts" of mathematician, physicist, and religious thinker Blaise Pascal. Originally intending to publish a book defending Christianity, Pascal died before he could complete it. The thoughts and ideas for his book were collected and compiled, posthumously, and then published as the Pensées. Pascal's thoughts are as powerful as they are comprehensive. He discusses with great wonder and beauty the human condition, the incarnation, God, the meaning of life, revelation, and the paradoxes of Christianity. He passionately argues for the Christian faith, using both argumentation and his famous "Wager." His ideas and arguments are sometimes developed and intricate, at other times, abrupt and mysterious.

Sefer B'rit ha-Menuḥa is an anonymous Kabbalistic book from the late 13th century or the beginning of the 14th century. The content of the book is best described by the alternative name - "The Book of Lights," given to it due to its central descriptions of the journeys of Israel in the desert, and the images of the vowels of the Name of God, that are portrayed as journeys of divine lights. The treatise describes the complete set of divine theosophical and angelologic powers in a coherent system, in order to relate and unite each name of an angel with its source, and to allow magic acts by the application of the full cosmological and divine unity. This eclectic critical annotated edition provides, for the first time, a clear and coherent text from the book's forty four manuscripts and eight previous prints (from 1648 till recent), presents supplements and relics of the book from additional manuscripts, along with an early treatise by the same unknown author - Sefer ha-Gevura (Book of Enhancement) .

The character of the Epistle to the Hebrews differs greatly from all other letters included in the New Testament. It is actually a sermon interpreting numerous biblical verses with the aim to substantiate its unique claim for Jesus' heavenly priesthood. The reliance on biblical proof-texts enables the writer to establish his innovative claims vis-a-vis both the broader Jewish tradition and the competing outlooks existing within the Jesus movement itself. The eight conversations in the book discuss the Epistle's interpretative strategies in order to unearth the worldview of its author and the nature of its target audience.