This book presents a comprehensive selection, translated for the first time into Hebrew, of the Latin works of Francesco Petrarch (1304-1374), the "father of humanism" and a pivotal precursor to the Italian Renaissance. The compilation includes some of Petrarch's renowned personal letters, such as the pair he addressed to the Roman orator and philosopher Cicero. It features a therapeutic-autobiographical dialogue in which he engages with his spiritual father, Saint Augustine, challenging the latter's strict worldviews. The selection also encompasses an Invective against the dominant Aristotelian philosophy of his era, asserting the preeminence of classical rhetoric over philosophy; a novella presenting his interpretation of the closing story of the Decameron ; and a portion of his Latin poetry, through which he sought to revive the works of the great Roman poet Virgil. Through these writings, Petrarch fostered the emergence of a new secular culture on the cusp of the modern era—one that emphasizes humanity and life in this world—and set the stage for the remarkable creative surge of the Italian Renaissance.

Argonautica (the voyage of the ship Argo), is a Hellenistic epic poem by Apollonius of Rhodes written in the third century BCE. It is one of the few remaining epic poems of ancient Greece, recounting the adventures of Jason and the Argonauts who sailed aboard the Argo to Colchis in order to retrieve the Golden Fleece. Much importance has been attributed to this work owing to its artistic qualities and complex narrative. Argonautica has had an immense influence on prominent Roman and modern writers alike, including Ovid, Virgil, and Robert Graves. The Hebrew translation retains the original meter of the work and accurately reflects the content and spirit of the original Greek.

The Latin Iliad is a concise adaptation of the Homeric Iliad. The identity of its author remains uncertain but the work is attributed to Baebius Italicus, a Roman dignitary of the second half of the first century CE. The Hebrew translation of this short epic retains the unique poetic language of the original as well as its meter.

Homer's Odyssey is a grand epic poem of voyage and adventure. It recounts Odysseus' return to his native island of Ithaca after twenty years of war and wandering. We also encounter his son Telemachus, who has just come of age, as well as his wife, Penelope, sorrowful for her absent husband yet cunningly avoiding her boisterous and arrogant suitors. Having overcome the man-eating Cyclops Polyphemos, the bewitching Circe and the harrowing phantoms of the Underworld, as well as other perils, Odysseus finally arrives in Ithaca to reclaim his kingdom. Yet the Odyssey is not merely a tale of high adventure and a hero's triumphant return, it is also a story of man's inner confrontations and his encounter with the vicissitudes of fate. As with Arouetty's previous translation of the Iliad , the new prose translation of the Odyssey aims at precision and clarity. It strictly adheres to the Greek original, attempting to retain its nobility of language and style.

The Iliad of Homer is a powerful poem of force and heroism. It is the earliest of epics in Western Civilization and, since its appearance in the 8th century BCE, has inspired subsequent literary works. It tells of the final year of the Trojan War, one of the central stories in Greek mythology, and of the wrath of Achilles and its horrendous consequences. This is the first Hebrew prose translation of this great work. It has been done with meticulous care both to accuracy and style, aiming to preserve as far as possible the literary richness and charm of the original. As the Iliad belongs originally to the oral tradition, it is meant rather to be listened to than read; hence the translation aims at a greater musicality of Hebrew and simplicity of expression – both important characteristics of the Greek original. The translator has added a concise introduction and comprehensive notes to enhance readers’ understanding of this timeless poem. An index was added in the second edition.