How Jews use media to connect with one another has profound consequences for Jewish identity, community, and culture. This volume explores how the use of media can both create communities and divide them because of how different media shape actions and project anxieties, conflicts, and emotions. Taken together, the essays presented here consider how Jewish use of media at home and in the street, as well as in the synagogue and in school, affects the individual’s sense of ethnic and religious affiliation. They include closely observed case studies, in various national contexts, of the role of popular film, television, records, the Internet, and smartphones, as well as the role of print media, now and historically. They raise fascinating questions about how Jews and Jewish institutions harness, tolerate, or resist media to create their sense of social belonging as Jews within the wider society.

The ‘Jewish mother’ figure is a hallmark of Jewish culture, one which appears in the works of rabbis, artists, poets, and activists across time and place. While depictions of mothers and motherhood abound in Jewish writings, they vary significantly according to social context. These representations therefore offer important insights into the Jewish cultural imagination, and the ways in which writers resort to the figure of the Jewish mother to comprehend and construct their world. The contributors to this volume highlight the complex network of symbols and images associated with Jewish mothers and motherhood as well as the vast array of social, historical, and cultural patterns that characterizations of mothers reflect. Each essay treats the topic from a specific perspective, spanning from mother--daughter relationships in the Talmud to depictions of mothers in twentieth-century American Jewish children’s literature. Collectively, they present a provocative examination of the ways mothers shape and problematize Jewish identity. This volume seeks to give the figure of the mother a new and enhanced place at the heart of Judaism: not only as a central figure in family life, but also as a key agent in the transmission of Jewish religion and culture.

Modernity offers people choices about who they want to be and how they want to appear to others. The way in which Jews choose to frame their identity establishes the dynamic of their social relations with other Jews and with non-Jews—a dynamic complicated by how non- Jews position the boundaries around what and who they define as Jewish. This volume seeks to uncover these processes, historically as well as in contemporary behaviour, and to find explanations for the various manifestations, in feeling and action, of 'being Jewish'. Boundaries and borders raise fundamental questions about the difference between Jews and non-Jews in modern life. At root, the question is how 'Jewish' is understood in social situations where people recognize or construct boundaries between their own identity and those of others. The question is important because this is by definition the point at which the lines of demarcation between Jews and non-Jews, and between different groupings of Jews, are negotiated. Collectively, the contributors to this volume expand our understanding of the social dynamics of framing Jewish identity. The volume opens with an introduction that locates the issues raised by the contributors in terms of the scholarly traditions from which they have evolved. Part I presents four essays dealing with the construction and maintenance of boundaries, two showing how boundaries come to be etched on an ethnic landscape and two which question and adjust distinctions among neighbours. Part II focuses on expressive means of conveying identity and memory, while in Part III the discussion turns to museum exhibitions and festive performances as locations for the negotiation of identity in the public sphere. Part IV features a dialogue between observers of the paradoxes of Jewish heritage revival in Poland, and the perception of that revival by Jews and non-Jews.

For Jewish cultural studies, the analysis of changes in ritual content, and of the responses of both participants and non-participants to those changes, is critical to illuminating what is Jewish about Jewishness. This volume shows ritual action to be key to the maintenance of identity and to the expression of world-view. Often overlooked as routine or dismissed as bizarre abnormality, ritual in its many forms, conflicts, and guises is shown to be a central strategy for embodying experience that is lived, imagined, and even negated. Often overlooked as routine or even dismissed as odd customs, ritual in its many guises demands attention as a central strategy for embodying experience. Like other groups, Jews rely on ritual to provide an inventory of social meanings and a context for negotiating the challenges of everyday life. Ritual for Jews has historically carried special meanings for conveying what is Jewish about Jewishness. It is not enough, however, simply to document customs: for a full understanding of ritual and its meaning for participants we need to analyse how ritual expressions such as liturgies, holidays, life-cycle events—even political rallies—change in response to developments in the wider society, or are adapted to meet new needs. The innovative studies of adapted, invented, and evolving rituals presented in this volume, that include the Tunisian Jewish celebration of Se’udat Yitro, liturgical prayers for Israel Independence Day, shiva observance in an old-age home, transplanted Ethiopian Jewish wedding events, and same-sex marriage rituals. thus interpret the Jewish enactment of ritual and uses of tradition in everyday life against the background of modernity and community. It is the complexities of ritual—the dynamics of negotiating the religious and the secular, the traditional and the modern, the social and the political, performance and practice—that form the core of the book. Together, the contributors show ritual action to be key to the maintenance of Jewish identity and to the expression of a distinctive world-view. Contributors to this volume: Simon J. Bronner, Alanna E. Cooper, Jean R. Freedman, Sander L. Gilman, Harvey E. Goldberg, Jillian Gould, Michael Hoberman, Agnieszka Jagodzińska, Shaul Kelner, Irit Koren, Gail Labovitz, Vanessa L. Ochs, Hagar Salamon, Rachel Sharaby, Nina S. Spiegel, Seth Ward

What are the things that make a home 'Jewish', materially and emotionally? What it is that makes Jews feel 'at home' in their environment? This is the first book to examine these questions from multiple disciplinary perspectives, including literature, history, anthropology, sociology, psychology, art history, and folk and popular culture, and in doing so it revises our understanding of the lived (and built) past and opens new analytic possibilities for the future. For a Jew, describing a place as ‘home’ conveys connotations of heritage as well as of residence. Additionally, feeling ‘at home’ suggests a sense of comfort in one’s social surroundings. The questions at the heart of this volume are: what things make a home ‘Jewish’, materially and emotionally, and what is it that makes Jews feel ‘at home’ in their environment? The material dimensions are explored through a study of the symbolic and ritual objects that convey Jewishness and a consideration of other items that may be used to express Jewish identity in the home―something that the introduction identifies as ‘living-room Judaism’. The discussion is geographically and ethnically wide-ranging, and the transformation of meaning attached to different objects in different environments is contextualized, as, for example, in Shalom Sabar’s study of {h.}amsa amulets in Morocco and Israel. For diasporic Jewish culture, the question of feeling at home is an emotional issue that frequently emerges in literature, folklore, and the visual and performing arts. The phrase ‘at-homeness in exile’ aptly expresses the tension between the different heritages with which Jews identify, including that between the biblical promised land and the cultural locations from which Jewish migration emanated. The essays in this volume take a closer look at the way in which ideas about feeling at home as a Jew are expressed in literature originating in Brazil, Argentina, and the United States, and also at the political ramifications of these emotions. The question is further explored in a series of exchanges on the future of Jews feeling ‘at home’ in Australia, Germany, Israel, and the United States. Jews at Home is the first book to examine the theme of the Jewish home materially and emotionally from a variety of disciplinary perspectives, including literature, history, anthropology, sociology, psychology, art history, and folk and popular culture. The essays in the collection use the theme of home and the concept of domestication to revise understanding of the lived (and built) past, and to open new analytical possibilities for the future. Its discussion of domestic culture and its relevance to Jewish identity is one with which readers should feel right at home.

The Jewish Cultural Studies series offers a contemporary view of Jewish culture around the globe. Multidisciplinary, multi-focused, and eclectic, it covers the cultural practices of secular Jews as well as of religious Jews of all persuasions, and from historical as well as contemporary perspectives. It also considers the range of institutions that represent and respond to Jewishness, including museums, the media, synagogues, and schools. More than a series on Jewish ideas, it uncovers ideas of being Jewish. This volume proposes that the idea of 'Jewish', or what people think of as 'Jewishness', is revealed in expressions of culture and applied in constructions of identity and representation. In Part I, 'Expression', Elly Teman considers how the kabbalistic red string found at sites throughout Israel conveys a political and psychological response to terrorism. Sergey Kravtsov examines Jewish and non-Jewish narratives concerning a synagogue in eastern Europe. Miriam Isaacs looks at expressions of cultural continuity in DP camps in the aftermath of the Holocaust, and Jascha Nemtsov discusses how Jewish folk music was presented as high art in early twentieth-century Germany. In Part II, 'Identity', Joachim Schlör enquires how the objects taken by emigrants leaving Germany for Palestine after Hitler¹s rise to power represented their identities. Hanna Kliger, Bea Hollander-Goldfein, and Emilie Passow examine how survivors' narratives become integrated into family identities. Olga Gershenson offers close readings of how the identities of Jews as enacted in post-perestroika films highlight conflicting Russian attitudes towards Jews. Ted Merwin considers commercial establishments as 'sacred spaces' for Jewish secular identities. Part III, 'Representation', opens with stories collected in Israel by Ilana Rosen from Jews who lived in Carpatho-Russia, while Judith Lewin considers the characterization of the Jewish woman in French literature. Holly Pearse and Mikel Koven, respectively, decode the Jewishness of modern radio comedy and Hollywood film. The idea of Jewishness is applied in the volume with provocative interpretations of Jewish experience, and fresh approaches to the understanding of Jewish cultural expressions. Contributors: Simon J. Bronner, Olga Gershenson, Bea Hollander-Goldfein, Miriam Isaacs, Hannah Kliger, Mikel J. Koven, Sergey R. Kravtsov, Judith Lewin, Ted Merwin, Jascha Nemtsov, Emilie S. Passow, Holly A. Pearse, Ilana Rosen, Joachim Schlör, Elly Teman